We are very excited to announce the latest addition to the Rogers family, the 65V-2 integrated amplifier.  This amplifier is an upgrade to our critically acclaimed 65V-1 for those looking for a bit more.  Upgrades to the 65V-2 include:

  • DOUBLE the power output (50 WPC vs 25 WPC)

  • CNC milled front panel

  • High-gloss “Matador Gold” powder coating

  • iPhone and iPad control app

  • Automated tube bias monitoring


The 65V-2 has arrived for demo at our exclusive dealer for this product, Paragon Sight & Sound in Ann Arbor, Michigan.  It is also available for purchase online at



The Model 65V-2 is Class A, single-ended design, all tube integrated amplifier with dedicated headphone output that is designed to use either EL-34 or KT-88 tubes with no adjustment or changes. Simply insert the tube of your selection!

The 65V-2 has a durable DuPont exclusive sintered “Matador Gold” red powder coat with clear gloss finish and solid billet aluminum front panel. The chassis is made with heavy gauge aircraft grade aluminum. An LCD display has a tube status indicator to automatically monitor tube bias and provide advanced notice for replacement.

The auto bias circuit allows effortless operation for the user. No adjustments are needed to get both long tube life and superior audio performance. Selectable audio modes of triode and ultra-liner operation provide an enhanced sound stage selection.

The 65V-2 uses a toroidal type power supply and a separate low noise DC tube filament power supply, which enhances the pure fidelity signal reproduction. A dedicated headphone output circuit provides optimum performance during more intimate listening sessions.

An available iOS app (compatible with iPad or iPhone) uses a Bluetooth wireless connection to enhance the user experience, smartly displaying the amplifier’s output level using real-time telemetry information.

All Rogers High Fidelity Products are built by hand one at a time using all military grade components and Teflon coated point-to-point wiring and carry a lifetime warranty.








  • Made In The USA– Hand built to the most exacting specifications in our New York Facility. Each amplifier is shipped with a fully evaluated test data package so that the customer can see how his/her particular unit performed after acceptance.
  • (2) EL-34 OR KT-88 Tubes– Customer can select vacuum tube based on personal preference at purchase time
  • Completely Hand Wired– The entire amplifier is wired by hand using all discrete components and all point to point. All of the wiring and soldering meets the Military Standard 2000 requirements. All operators are trained to this standard.
  • Class A Operation– Military specification components, point to point Teflon wiring all carefully manufactured to the highest specifications.
  • Control Capability via Bluetooth– Connection to an Apple smartphone application, the 65V-2 displays on application control functions of all the amplifiers features: Ultra-linear and triode modes, Volume: Ultra-linear and triode modes, Volume, Input and the operational mode setting using a LCD screen with visual indicators.
  • Power Supply Circuit– Can easily handle large dynamic transitions in the audio signal being delivered while maintaining a smooth and clear midrange; vocals are presented with a truly rich and warm feel.
  • Auto Bias Circuit– For long tube life and ease of operation. Self Bias circuit for adjustment free operation and longest tube life. Customer does not need to adjust tube bias. As the tubes age, they adjust for bias changes automatically. The customer can change tubes at any time or replace a single tube rather than the full set and the amp will automatically re-bias for the change.
  • Aviation Grade Chassis– All amplifier chassis are aviation grade aluminum with a muti-phase powder coat and clear coat finish.
  • Aerospace Specifications– All resistors, capacitors, transformers, and inductive components meet or exceed the applicable military quality standards for parts selection.
  • Burn-In Process– Each amplifier undergoes a rigorous 100 hour burn-in prior to acceptance testing.
  • Power Measurement System– Each amplifier has a tuned, power measurement system that allows for flawless system integration and adjustment.
  • Binding Posts– Solid milled copper binding posts plated with gold create a seamless connection
  • Internal Wiring– The entire amplifier is wired using 18 gauge Military Standard 16878 teflon coated, silverplated copper wire. Because this is a Class A design, there is some heating of the unit that causes the wiring to age and degrade over time. Teflon coating prevents this and is designed to last for the entire life of the product.


Rogers High Fidelity is pleased to be partnering with Paragon Sight & Sound to offer the Rogers range of tube amplifiers, preamplifiers, and phono preamplifiers both in Paragon’s brick and mortar showroom, as well as on their online webstore. Paragon Sight & Sound is a family-owned business that has been an industry leader in high-quality 2-channel equipment for over four decades. Their dedicated sales staff, headed by owner Larry Marcus, is committed to helping customers build the very best systems according to their wants, needs, and budget.



The entire Rogers High Fidelity line is available for audition and purchase at Paragon’s Ann Arbor, Michigan showroom, with most products also available for purchase online.



Both Rogers High Fidelity and Paragon Sight & Sound are dedicated to making tube gear accessible to long-time audiophiles and newer hobbyists alike. Affordable price-points, ease of use and maintenance, and the development of integrated app controls are among the hallmarks of Rogers’ philosophy of accessibility. Paragon Sight & Sound is working closely with us to support these initiatives and to pass the knowledge base on to consumers.



Through extensive training and the hands-on experience of working with Rogers High Fidelity products every day in-store, the Paragon sales team is uniquely qualified to answer questions and guide customers through the selection and purchase of the perfect tube gear to complement an existing system – or to build a new system from the ground up!


Rogers-65V-1 Integrated Amplifier


EHF-100 MK2 Integrated Amplifier

By:  | 




It’s been a while since tube/valve gear made any extended appearance in any of my homes. Nothing against the gear, but what with graduation and traveling and not settling down it just wasn’t practical. This is not to say that in my time I did not possess tube/valve gear from Audio Research and Conrad-Johnson, but those times were indeed fleeting, and with the renewed interest in tube/valve gear by the public I thought it high time, now that I’m more situated, to start taking a look at what’s new.

Having attended and covered more than a few Hi-Fi shows, I would always make my way to the Rogers High Fidelity exhibit room where their gear was coupled with Burwell & Sons horn speakers. There was something about the sound. As I got to know Roger Gibboni, Rogers’ President & chief designer, and Rob Pleyer, its Director of Sales, I became more and more comfortable with them, to the point that I could ask to audition their idea of a 21st century integrated amplifier, the 65V-1, a class A, singled ended, lower power design. The unit they sent came with EL34s, but purchasers can specify their preference for KT88’s if they so desire.

The Rogers High Fidelity 65V-1 integrated amplifier ($4,000) comes with a lifetime warranty and has the look and tangible feel of a traditionally designed unit.With its Teflon coated military specification wire and military specification components, not to mention its point to point wiring, one could rightly think the 65V-1 was designed to be combat ready, and that would not be too far off target. But don’t let all that military precision fool you, there’s a wrinkle here sure to please the folks in Cupertino. Rogers has designed an iPad [iOS] remote control app relying upon Bluetooth connectivity to do the following:

▪ Display the power out on a virtual VU meter
▪ Enable users to switch between triode/ultra-linear output (more on that to follow)
▪ Enable users to switch between line level inputs

It took a while for me to become accustomed to using an iPad to remotely control the 65V-1 and, mind you, I’ve always been an early tech adopter. Still, being as it was the first time encountering such, I had to remember that when grabbing for the remote that, given it’s an iPad, it does indeed multitask, and for that reason just might be off somewhere in another room. Note: In my communications with both Roger and Rob of Rogers, I pleaded with them to think about making the iOS app available for the iPhone as well. And from what I understand some new designs will be iPhone compatible, and I’m hoping the 65V-1 will be retrofitted.



The remote-control app and its virtual VU meter are critical. The meter is calculated in watts from 0 to 25 and it samples both channels’ power output and in turn displays continuous average power. Simply put, Rogers would like its customers to note when they start to hear clipping, and then turn the volume down to just about 20% below this level. For the uninitiated this takes practice. It is not an insurmountable task, and while the iPad remote control is not absolutely necessary, it is fun, but the purplish LCD-like display can be hard to read at times.

The 65V-1 is a kit that an engineer could just … its look, its feel, the mechanical switches really brought me back. It is physically imposing at 17” W x 7.5”H and 12” D, but at 24lbs, the 65V-1 is lighter than I would have thought. As stated earlier, the model sent to me came with Mullard EL34 tubes/valves, I could have requested KT88s as well, but I let Rogers decide. To be fair, this started out as Rogers being rather friendly to me and sending me the unit to audition and not review, so I can get a better read of Rogers as a company, its design philosophy and workmanship. Over time, I became entranced to the point where I just wanted to share my experiences with my readers.

You will notice in the picture above that one of the toggles is expressly for switching between headphones and speakers. It’s a nice feature to have as I made great use of the headphone jack when I transported the 65V-1 from my primary listening area into my office, where I work more often wearing headphones. This is an oddity, as I cannot stand wearing headphones in my normal listening configuration, but when sitting near field, I’m okay with it. Hmm. This will require some self-exploration. Note: While Rogers does supply a headphone jack, one is not likely to purchase a 65V-1 solely for that purpose. It did an admirable job of powering my Audioquest Nighthawks and Meze Classic & Neo 99 and, if anything, I would say this functionality is a very welcome feature and for some could be a deciding factor in comparison with similar tube/valve integrated amplifiers lacking such.

Connecting the 65V-1 is pretty much straightforward. About the only thing I could mention is that upon powering up users should note that there is a red light on the power toggle. This indicates the unit is powered on. The digital display will take about 60 seconds while the filament slow-start circuit starts up. This slow start circuit is designed to significantly increase the tube lifetimes. Yes, there is a Bluetooth antenna that comes with, and yes, it is easy to screw on and install. The iPad remote control will not work without that being attached.

Even though it’s been a while, I still remember that tube/valve gear doesn’t just need but demands high efficiency/sensitive speakers. To that end I was prepared. I could have connected some less than efficient speakers, but to what end? I knew what that would mean, and I was not going to put either myself or you through it for that matter. I assembled a series of speakers with which to listen to the 65V-1, all of which are rated at 90 dB or higher:

• Audio Note AX-2
• Blumenstein Audio Marlin
• Blumenstein Audio Orca
• Klipsch Quartet
• Tekton Design Mini Lore Monitor

These speakers range from 90 dB to 97 dB in rated sensitivity by their respective manufacturers. The 65V-1 played nicely with all of them. The AX-2 being rated at 90 dB gave me some initial concern, but that’s when more fun began as I started switching between Triode and Ultra-linear output modes. Long story short, as I wrestled with the idea of providing a history of and detailed definition/description/differentiation of the modes, the number of pages and the sheer boredom started setting in. Again, I am not going to put you, my readers, through that. What I will say is that in ultra-linear mode the 65V-1 appears to pack more punch, although it comes with a loss of detail in comparison to triode mode, in which less sensitive speakers fare worse and the higher efficiency speakers let me relax and soak in the finer detail and the nuances of the recordings in my listening sessions.

Here’s a breakdown of how each of the speakers fared with respect to output modes: the Audio Note AX-2 and Blumenstein Audio Marlin speakers sounded fuller and more authoritative in Ultra-linear mode. The Blumenstein Audio Orca, Tekton Design Mini Lore Monitor and Klipsch Quartets took just about everything in stride and flourished in Triode mode.

What I listen to is not important, and should not be. This is why I continually omit my reference recordings in my writings. They are mine and not yours. Why am I highlighting this at this juncture? Because it speaks to ultra-linear vs. triode mode. At the end of the day the decision is subjective. Yes, there will be compromises and trade-offs but those are decisions only you can make and hear for yourself. I can only guide you so far. What I can share with you is my Facebook Project: New Album Releases – curation and listing of recordings released in calendar year 2018 – and apart from my reference recordings, I listen to a great deal of this music while auditioning gear, so maybe you’ll find something here:

My primary listening room is large (24’ x 20’) and I must say that with the appropriate speakers the Rogers 65V-1 filled the room with sound. The ephemeral glow of the tubes at night was an added plus. They transported me back in time…fade to a Montgomery Burns moment. The 65V-1 felt at home in my office as well, I just had to clear up some space, which forced me to de-clutter as its footprint is noticeably larger than either my Bel Canto Design s300 or the truly diminutive PS Audio Sprout 100. Well built, professionally designed and taking a bite out of 21st century technology, the 65V-1 could very well be the tube/valve integrated amplifier for this generation. There’s more going on under the hood.


Hi-Fi Sales Company will be hosting an event with the Titans of the Audio Industry, featuring VPI, Genesis Advanced Technlogies, Theoretica Applied Physics & Rogers High Fidelity. RSVP for a great afternoon of Vinyl, Digital, Solid State and Tubes!

Gary Koh started Genesis Advanced Technologies in 2002 to carry on the legacy of Genesis Technologies, founded by legendary speaker designer Arnie Nudell. Gary has carried on the same tradition of delivering bleeding edge technology in the service of the advancement of the state of the art. Gary & his Washington-Made speakers have since gone on to win numerous industry awards and recognition from the audiophile press, and more importantly, proud owners the world over.

Rogers High Fidelity of New York design & build by a simple credo: ”What you make people feel is as important as what you make”. To that point, Rogers High Fidelity makes impressions that last a lifetime by building Tube Amplifiers that are warranted for a lifetime.

VPI Industries of Cliffwood New Jersey is arguably the most succesful turntable manufacturer in the United States of the last 35 years. All Audiophiles who care about vinyl playback have heard of the HW-19, The Classic and The Prime turntables, and speak in hushed tones about The Avenger and The Titan. However, it is their newest Gimbaled and Unipivot tonearms called “The Fat Boy” that have their legions of fans excited and their competition nervous.

Professor Edgar Choueiri of Princeton University and founder of Theoretica Applied Physics is the creator of the BACCH SP Adio 3D Sound Processor. The BACCH SP is, in our experience, the most revolutionary product developed for the playback of stereo recordings in the last 30 years. Everyone who has experienced 3D Sound has walked away profoundly changed by what is possible with a pair of speakers. You will be too.

On Saturday, May 19th from 12 to 5pm, find out what happens when State of
Art manufacturers of different and seemingly disparate disciplines and technologies work together in concert to create a playback experience that is both harmonious and unlike anything you’ll experience at any other dealer showroom in the united States today. RSVP now for a wonderful afternoon of music, technology, food and refreshments.

The System:
VPI Titan Turntable and Fat Boy Gimballed and Unipivot Tonearms.
Genesis Advanced Technologies Maestro Loudspeakers (Cartridge selections by Gary Koh)
Rogers High Fidelity PA-1A Tubed Phono Stage and 34S-1 Flagship Integrated Amplifier
Theoretica Applied Physics BACCH SP Adio 3D Sound Processor/Network Streamer.


HI-Fi Sales

1732 Marlton Pike East, Cherry Hill, NJ 08003

Safe & Sound Inc.

428 East St, Chicopee, MA 01020

Phone: (413) 594-6460


Meet our newest dealer in the Massachusetts / Berkshires area, Safe & Sound Audio!

Safe & Sound in Chicopee has been serving Massachusetts residents since the 80’s with personalized service unmatched in our industry.

On display now is our ALL AMERICAN MADE 65V-1 integrated amplifier (only $3,995!!), EHF-200 MK2 integrated amplifier and PA-1A Phone Preamplifier. We are making beautiful sound with Klipsch Forte III loudspeakers. Safe & Sound also has our amplifiers connected to the entire range of Martin Logan Electrostatic loudspeakers along with a variety of models from Monitor Audio.

Contact Safe & Sound today for your personalized demo-

ROGERS EHF-200 MK2 Integrated Amplifier

ROGERS PA-1A Phono Preamplifier

ROGERS 65V-1 Integrated Amplifier

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